Training Your Kajira

 Kajira Handbook

By Maste Vadim

John Norman has written 38 books in the gor chronicles. The novels have spawned a way of life and a lifestyle for a select few who choose that path. Gor is another planet in our solar system that is at the opposite side of the solar system hence we can never know of it. One day Carl Talbot is swept away to that world. Gor is a world where men are macho warriors and women are either free or slaves to their men. A female slave is called a kajira. Kajiras are under total control of their masters. their main function is to please. Now bear in mind Gor is a fictitious planet nd their way of life would be differnt from ours.

To start off the kajra needs to learn the basic position to take before her master. The slave postions are Nadu, Bara, Sula and Lesha. The Nadu position has the kajira kneel on the ground with her legs apart hands on each thigh open with palms up.  Bara position has The slave to lay facedown upon the floor, forehead lightly touching the floor, legs straight with ankles crossed and wrists crossed at the small of the back "Bara, Kajira!" he said. She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound. The Sula position , a slave lays upon her back, her hands at her sides, palms upward, her legs widely spread, to await her Master's pleasure. The first Obeiscance  is when the Kajira's Master enter the room. In this position the Kajira will kneel and, bending forward, will place her head to the floor with her palms down on either side of her head. This position is to be held until the Master indicates or He instructs her to assume another position. The second Obeiscance has the kajira lie on her belly. the bara position has the kajira lay on the floor with her head turnedn to the left while her hands and feeel are crossed ready to be bound. The Lesha position is to be assumed when the master wishes to bind or collar his kajia.

On the world of Gor slaves are identified by a branded K on their thigh. Obviously here on earth we do not brand so people may decide to use tattoes.  The slave collar identifies who the slave belongs to. There are protocol on how a kajira must do things. In public she should be collared and brought to heel meaning that she walks three steps behind her master to the left. She should walk in a sensous manner and not demy her feminine beauty. Kajiras at times will be made to crawl. They must do so with their hind quarters high in the air and be sensual abou it.

Submission in the gorean sense is different from your garden variety kink. No so much emphasis on spanking and other sensual acts. pleasuring her master is important but there is much more emphasis on obedience and control. A kajira will gratify her master by walking in an alluring way. The slave dance is a slow motion dance where the kajira moves in differnt positions showing of the perfection of her body. A kajira must also know how to cook, clean and keep house. At times she will be called upon to give her master a massage. For belly dancing, I would recommend Amira Abdi, Oxana Bazaeva and Samira Zopunyan as good examples of gifted dancers. For tribal fusion dancing, I would suggest Yana Kremneva of the Kremushka dance company.

There ar several dances in the kajira repetoire. They are the belt dance, contrition dance, Sa Ela dance, Need Dance, Tether dance and the whip dance.   For music I suggest is The Masters Of Belly Dance Music. This will give you a good first exposure to a number of artists and styles of traditional music. If you should be seeking a fusion of belly dance and modern music, I would highly recommend a band by the name of Beats Antique. Of course, you are not limited to belly dance music alone; there are many different genres of music that can be used for slave dance. I have enjoyed slave dance performances that used music from artists as eclectic and varied as Dead Can Dance, Loreena MacKinnett, Peruquois and Trio Bulgarka to name but a few. All of these forms of music are vastly different from each other, yet all can work well with slave dance.

In terms of domestic service a kajia should be able to prepare food fix and mend clothing. There are protocols for serving the master wine and food. Many things are covered in this book both for  potential kajira and someone who wants to train a kajira. It is a nice short little read. I found it to be short , concise and to the point. A strength. Wish it coud have been a bitn longer. The book would benefit greatly from illustations and pictures to give better understnding of what Gorean clothes look like and what the various kajira postions look like.